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| Table of Contents | ||||||
|---|---|---|---|---|---|---|
| List of Illustrations | ix | |||||
| Acknowledgments | xi | |||||
| Introduction | xiii | |||||
| 1. | Bound by an English Eye: Ancient Cultures, Imperialist Contexts, and Literary Representations of Ancient Egyptian Women | 1 | ||||
| 2. | Acting as "the right hand . . . of God": Christianized Egyptian Women and Religious Devotion as Emancipation in Florence Nightingale's Fictionalized Treatises | 35 | ||||
| 3. | "[T]o give new elements . . . as vivid as . . . long familiar types": Heroic Jewish Men, Dangerous Egyptian Women, and Equivocal Emancipation in George Eliot's Novels | 63 | ||||
| 4. | "[W]e had never chosen a Byzantine subject . . . or one from Alexandria": Emancipation Through Desire and the Eastern Limits of Beauty in Michael Field's Verse Dramas | 99 | ||||
| 5. | "sweetness of the serpent of old Nile": Revisionist Cleopatra and Spiritual Union as Emancipation in Elinor Glyn's Cross-Cultural Romances | 131 | ||||
| 6. | "My ancestor, my sister": Ancient Heritage Imagery and Modern Egyptian Women Writers | 155 | ||||
| Afterword | 183 | |||||
| Notes | 185 | |||||
| Works Cited | 201 | |||||
| Index | 215 | |||||